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Multiple Chinese universities raise gaokao score requirements for arts admissions_我的网站

辛普森一家

A |     

Students practice their skills at a dance training center in Handan, North China's Hebei Province. Photos: VCG
    Students practice their skills at a dance training center in Handan, North China's Hebei Province. Photos: VCG
Even during summer break, changes to the admissions policy at the Communication University of China (CUC) have sparked heated discussions among students, with the reform becoming a hot topic on campus and on social media.
Amid heated debate over China's top media and arts school's admission reform, eight majors, including radio and television directing and theater directing, will no longer require separate arts exams and will instead admit students based solely on gaokao (the national college entrance exam) scores starting next year.
China's art college entrance examination, known as yikao, is a special admission pathway for students applying to arts-related majors. Applicants take both the gaokao and professional tests in areas such as fine arts, music, dance, acting, broadcasting and directing. Compared with many other university programs, art majors have traditionally placed less emphasis on gaokao scores and more on candidates' professional abilities and artistic potential.
"As one of China's most influential universities for media education, CUC's reform is seen as having broader implications," Xiong Bingqi, president of the 21st Century Education Research Institute and vice president of the China Association of College Newspapers, told the Global Times.
In his view, future arts admissions are likely to place greater emphasis on students' cultural literacy, professional interests and long-term potential.
A view of the campus of Communication University of China in Beijing
    A view of the campus of Communication University of China in Beijing
Beyond the 'shortcut'

CUC's move reflects a broader trend among Chinese arts universities. In recent years, institutions such as Nanjing University of the Arts and Henan Academy of Fine Arts have reduced the number of majors requiring school-based exams on their specific art subjects, placing greater emphasis on academic performance and provincial-level arts examinations.
The changes reflect a broader trend in China's arts education admissions system, where universities have increasingly emphasized students' cultural foundation alongside their artistic abilities.
"CUC's latest adjustment reflects a broader trend in arts education reform, with some arts-related majors beginning to admit students based on their gaokao scores rather than separate professional examinations," Xiong told the Global Times.
According to Xiong, one of the key goals of the reform is to address the utilitarian mindset among some students and parents who view arts admissions as a "shortcut to college." 
In the past, some arts programs had relatively lower requirements for cultural scores, prompting some students with weaker academic performance to turn to arts exams and enroll in professional training programs during high school. As a result, arts admissions were sometimes seen not as a choice driven by genuine artistic interest or career aspirations, but as an alternative pathway to enter universities.
"The cooling of arts exam fever, to me, is a good thing for arts education and talent cultivation," Xiong said. "By admitting eight majors directly based on cultural scores, CUC is effectively removing the stepping stone of the 'shortcut to college,' allowing more students with genuine artistic interests and professional ambitions to enter these fields."
For students, the reform has directly changed how they prepare for university and make academic choices.
"The changes have created more pathways for students interested in media-related fields," a junior arts management student surnamed Wang at CUC, told the Global Times.
Wang recalled that many students around her began preparing for arts exams as early as their sophomore year of high school and later traveled to cities where their target universities were located for intensive training.
As some media-related majors shift to cultural-score-based admissions, more students who did not take the arts exam but have a genuine interest in the media field may gain opportunities to enter these programs, she said.
Rethinking media talent
Beyond changing how students enter arts majors, the reform has also sparked discussion over how universities should train future media professionals.
A CUC sophomore student surnamed Wei from the School of Theater, Film and Television told the Global Times that one challenge after scrapping arts exams for some majors is how to support students who enter without systematic professional training.
"Students who previously prepared for arts exams often developed basic skills in audiovisual language and practical experience before entering university. Those admitted based on gaokao scores may need stronger professional guidance and more opportunities for practice," Wei said.
In addition to individual student development, the reform has also prompted discussions over what qualities future media professionals should possess. Kai Zhu, a drama education instructor at a leading high school in Beijing, told the Global Times that an overemphasis on exam-oriented training in media arts education had previously led some programs to focus on templates and techniques while neglecting core competencies.
"If media arts become a low-score pathway to university, the professional nature of the field will become blurred, and the industry may face a shortage of well-rounded talent," Kai said. CUC's reform signals a shift toward selecting media talent with both cultural depth and professional skills. 
"Creative fields such as screenwriting and filmmaking are not built on technical skills alone; they require an understanding of society, humanity and history," he said. 
"Cultural accumulation determines the depth and vision of creative works."
The reform is therefore not merely about changing the way students enter arts programs. Ultimately, it is about what kind of creators media and arts programs hope to nurture: not only those equipped with professional skills, but those who can think deeply, understand society and transform their cultural knowledge into meaningful works, he noted.
Wang Wenpei contributed to this story.

。    法国和沙特阿拉伯达成共识,认为世界需要一座 龙珠Z:电光火石ZERO 主题乐园。因此,他们正斥资 60 亿欧元(约 70 亿美元)在巴黎附近建造一座。爱丽舍宫于 8 月 23 日星期一,沙特王储穆罕默德·本·萨勒曼访问巴黎期间宣布了这一消息。据报道,这一想法最初是在王储去年访问该市时萌生的,当时他与法国总统埃马纽埃尔·马克龙发现他们都对这一标志性的动漫系列有着共同的热爱。该乐园将建在首都西北部的塞尔吉-蓬图瓦兹附近,这项庞大的工程预计将创造约 22,000 个工作岗位。预计建设将耗时数年,目前尚未公布正式开业日期。意料之中的是,Qiddiya 为该项目提供了资金。

B | 建成后,这将是全球两座 龙珠Z:电光火石ZERO 主题乐园之一。第一座主题乐园已于 2024 年在 龙珠Z:电光火石ZERO 官方网站上正式公布,同时还发布了大量的概念图和建成后的预览预告。第一座乐园目前正在利雅得郊外开发的大型娱乐中心 Qiddiya City 建设中。据报道,该乐园占地将超过 50 万平方米,包含该系列中七个地点的重现,包括龟仙屋(Kame House)、胶囊公司(Capsule Corporation)和比鲁斯之星(Beerus's Planet)。在总共 30 多个景点中,还将包括 5 个游乐项目,以及一座 70 米高的神龙雕像。

C | 这是一项巨大的工程,预计不会在短期内开放,截至发稿时尚未公布官方开业日期。在宣布巴黎 龙珠Z:电光火石ZERO 主题乐园之前,由于利雅得附近的安全问题,电竞世界杯已迁至巴黎举行。

D | 沙特王储出席了比赛的闭幕式,马克龙也在场。

E | 这是该国在游戏和动漫领域文化项目上进行的几项大规模投资之一;最近,沙特阿拉伯公共投资资金(PIF)作为与 Silver Lake 和 Affinity Partners 组成的投资集团的一部分,完成了对 EA 价值 550 亿美元的收购。今年 3 月,沙特王储穆罕默德·本·萨勒曼旗下的电子游戏发展公司 (EGDC) 收购了 Capcom 5% 的股份,将其在这家著名的日本游戏开发商和发行商的持股比例提高到了 10%。今年 2 月,沙特所有的 RTS 全面收购了全球最大的格斗游戏赛事系列 Evo。此后,Evo 扩展到了其他几个全球性赛事,这在格斗游戏社区引起了不小的争议。

F | 图片来源:YouTube - Qiddiya。

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Published on:05:35:01


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